European Journal of Theatre and Performance – ISSUE 2 MAY 2020

As a gesture of solidarity during the COVID-19 pandemic, EASTAP gladly offers the latest issue of the European Journal of Theatre and Performance at no cost. Please check out the Table of Contents below, where you can download separate sections, individual essays, or the issue as a whole.

 

 

ESSAYS – PAST, PRESENT AND FUTURES OF CREATIVE PROCESSES IN THE PERFORMING ARTS

Introduction to the Essays Section

Sophie Lucet, Lorenzo Mango & Luk Van Den Dries

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Chasing Your Own Tail: The Inclusive Artist’s Process in Project-Based Contemporary Dance

Annelies Van Assche

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Aux côtés des artistes-interprètes de Fractus V (Compagnie Eastman / Sidi Larbi Cherkaoui, 2015-2019) : Approche micropolitique d’un processus de création et de tournée

Martin Givors

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Voyage au cœur du processus créatif : L’expérimentation chez Nicolas Stemann

Leila Vidal-Sephiha

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(Re)defining the Director’s Book: How (Genetic Research of) Regiebücher constructed the Regisseur

Edith Cassiers

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Process and Product in the Italian Conceptual Theatre

Mimma Valentino

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La génétique de la performance artistique entre la génétique du spectacle et la génétique du dessin

The Two Gullivers

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ARGOS, un projet innovant d’observations de processus de création en Europe

Maria João Brilhante, Brigitte Prost, Sophie Proust & Ana Clara Santos

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KinoAI et le carnet audiovisuel : une solution plurielle pour l’étude des répétitions

Rémi Ronfard & Julie Valero

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Towards a Model of Digital Narration of the Creative Process of Performance

Eleni Papalexiou

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Negotiating “Home” Borders: Creative Processes hosting Syrian and Palestinian Syrian Artists in Europe

Ruba Totah

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ARTIST IN FOCUS – SHERMIN LANGHOFF AND THE MAXIM GORKI THEATRE

Taking History Personally: Knowing that Neither Memories are Already Memory, nor Stories are Already History

Shermin Langhoff

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Shermin Langhoff: A Rebellious Spirit in a Mainstream Theatre

Azadeh Sharifi

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Developing the Imaginaries and Fantasia of Theatre Institutions: An Interview with Shermin Langhoff

Solveig Gade & Armando Rotondi

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Intersectional Perspectives on Identity in Theatre

Rebecca Ajnwojner

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Enquete: Working at the Gorki

Interviews with Oliver Frljić, Marta Górnicka, Maryam Abu Khaled, Sebastian Nübling, Sesede Terziyan, Yael Ronen

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The Maxim Gorki Theatre

Portfolio

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FROM THE ARCHIVES

Émile Pitou’s Memorandum: The Life of a French Travelling Puppeteer at the Turn of the 19th Century

Yanna Kor

Mémorandum d’Émile Pitou à 22 ans et demi – Suivi de Théâtre Pitou – Quatrième époque

Émile Pitou

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BOOK REVIEWS

Performing Turkishness, Comparative Drama Volume 52, Number 3 & 4, (Fall & Winter 2018)
Hülya Adak and Rüstem Ertuğ Altınay (eds.)

Deniz Başar

Teatr a Kościół, 2018
Agata Adamiecka-Sitek, Marcin Kościelniak and Grzegorz Niziołek (eds.)

Piotr Morawski

Compêndio Gil Vicente, 2019
José Cardoso Bernardes, José Camões (eds.)

Thomas Earle

O Teatro como experiência pública, 2019
Óscar Cornago, Sílvia Fernandes, Julia Guimarães (org.)

Ana Pais

Egoiści: Trzecia droga w kulturze polskiej lat 80, 2019
Marcin Kościelniak

Dorota Sosnowska

Il territorio in scena: Dieci anni di residenze ETRE, 2019
Stefano Laffi e Andrea Maulini (cur.)

Armando Rotondi

Dire les Guerres : Performance et Création, 2019
Martin Mégevand (dir.)

Rui Pina Coelho

Exploded Gaze, 2018
Goran Sergej Pristaš

Aldo Milohnić

Grotowski e Gurdjieff, 2019
Franco Ruffini

Cecilia Carponi

Directions for Directing: Theatre and Method, 2019
Avra Sidiropoulou

Freddy Decreus

El texto insumiso, 2018
José Sanchis Sinisterra

Mickael De Oliveira

Il teatro dei robot: La meccanica delle emozioni nel Robot-Human Theatre di Hirata Oriza, 2019
Cinzia Toscano

Armando Rotondi

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