European Journal of Theatre and Performance – ISSUE 2 MAY 2020
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As a gesture of solidarity during the COVID-19 pandemic, EASTAP gladly offers the latest issue of the European Journal of Theatre and Performance at no cost. Please check out the Table of Contents below, where you can download separate sections, individual essays, or the issue as a whole.
ESSAYS – PAST, PRESENT AND FUTURES OF CREATIVE PROCESSES IN THE PERFORMING ARTS
Introduction to the Essays Section
Sophie Lucet, Lorenzo Mango & Luk Van Den Dries
Chasing Your Own Tail: The Inclusive Artist’s Process in Project-Based Contemporary Dance
Annelies Van Assche
Aux côtés des artistes-interprètes de Fractus V (Compagnie Eastman / Sidi Larbi Cherkaoui, 2015-2019) : Approche micropolitique d’un processus de création et de tournée
Martin Givors
Voyage au cœur du processus créatif : L’expérimentation chez Nicolas Stemann
Leila Vidal-Sephiha
(Re)defining the Director’s Book: How (Genetic Research of) Regiebücher constructed the Regisseur
Edith Cassiers
Process and Product in the Italian Conceptual Theatre
Mimma Valentino
La génétique de la performance artistique entre la génétique du spectacle et la génétique du dessin
The Two Gullivers
ARGOS, un projet innovant d’observations de processus de création en Europe
Maria João Brilhante, Brigitte Prost, Sophie Proust & Ana Clara Santos
KinoAI et le carnet audiovisuel : une solution plurielle pour l’étude des répétitions
Rémi Ronfard & Julie Valero
Towards a Model of Digital Narration of the Creative Process of Performance
Eleni Papalexiou
Negotiating “Home” Borders: Creative Processes hosting Syrian and Palestinian Syrian Artists in Europe
Ruba Totah
ARTIST IN FOCUS – SHERMIN LANGHOFF AND THE MAXIM GORKI THEATRE
Taking History Personally: Knowing that Neither Memories are Already Memory, nor Stories are Already History
Shermin Langhoff
Shermin Langhoff: A Rebellious Spirit in a Mainstream Theatre
Azadeh Sharifi
Developing the Imaginaries and Fantasia of Theatre Institutions: An Interview with Shermin Langhoff
Solveig Gade & Armando Rotondi
Intersectional Perspectives on Identity in Theatre
Rebecca Ajnwojner
Enquete: Working at the Gorki
Interviews with Oliver Frljić, Marta Górnicka, Maryam Abu Khaled, Sebastian Nübling, Sesede Terziyan, Yael Ronen
The Maxim Gorki Theatre
Portfolio
FROM THE ARCHIVES
Émile Pitou’s Memorandum: The Life of a French Travelling Puppeteer at the Turn of the 19th Century
Yanna Kor
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Mémorandum d’Émile Pitou à 22 ans et demi – Suivi de Théâtre Pitou – Quatrième époque
Émile Pitou
BOOK REVIEWS
Performing Turkishness, Comparative Drama Volume 52, Number 3 & 4, (Fall & Winter 2018)
Hülya Adak and Rüstem Ertuğ Altınay (eds.)
Deniz Başar
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Teatr a Kościół, 2018
Agata Adamiecka-Sitek, Marcin Kościelniak and Grzegorz Niziołek (eds.)
Piotr Morawski
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Compêndio Gil Vicente, 2019
José Cardoso Bernardes, José Camões (eds.)
Thomas Earle
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O Teatro como experiência pública, 2019
Óscar Cornago, Sílvia Fernandes, Julia Guimarães (org.)
Ana Pais
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Egoiści: Trzecia droga w kulturze polskiej lat 80, 2019
Marcin Kościelniak
Dorota Sosnowska
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Il territorio in scena: Dieci anni di residenze ETRE, 2019
Stefano Laffi e Andrea Maulini (cur.)
Armando Rotondi
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Dire les Guerres : Performance et Création, 2019
Martin Mégevand (dir.)
Rui Pina Coelho
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Exploded Gaze, 2018
Goran Sergej Pristaš
Aldo Milohnić
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Grotowski e Gurdjieff, 2019
Franco Ruffini
Cecilia Carponi
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Directions for Directing: Theatre and Method, 2019
Avra Sidiropoulou
Freddy Decreus
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El texto insumiso, 2018
José Sanchis Sinisterra
Mickael De Oliveira
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Il teatro dei robot: La meccanica delle emozioni nel Robot-Human Theatre di Hirata Oriza, 2019
Cinzia Toscano
Armando Rotondi